![]() ![]() ![]() Scherzo – form that prominently replaced the minuet in symphonies and strings quartets of the nineteenth century like the minuet, scherzos are ternary forms and have a triple feel, although they tend to be somewhat faster in tempo than the minuet. Rondos are often the final movements of string quartets, classical symphonies, concerti, and sonata (instrumental solos). Rondo – instrumental form consisting of the alternation of a refrain “A” with contrasting sections (“B,” “C,” “D,” etc.). Recapitulation – third and final second of a sonata-form movement, in which the themes of the exposition return, now in the home key of the movement Pizzicato – the plucking of a bowed string instrument such as the violin, producing a percussive effect Opera Seria – serious style of eighteenth-century opera made famous by Handel generally features mythology or high-born characters and plots Opera Buffa – comic style of opera made famous by Mozart Minuet and trio form – form based on the minuet dance that consists of a Minuet (A), then a contrasting Trio (B), followed by a return to the Minuet (A) Hemiola – the momentary shifting from a duple to a triple feel or vice versa \)Ĭadenza – section of a concerto in which the soloist plays alone without the orchestra in an improvisatory styleĬhamber music – music-such as art songs, piano character pieces, and string quartets- primarily performed in small performing spaces, often for personal entertainmentĬoda – optional final section of a movement that reasserts the home key of the movement and provides a sense of conclusionĭa capo – instruction-commonly found at the end of the B section or Trio of a Minuet and Trio, to return to the “head” or first section, generally resulting in an A - B - A formĭevelopment – the middle section of a sonata-form movement in which the themes and key areas introduced in the exposition are developed ĭouble-exposition form – form of the first movement of a Classical period concerto that combines the exposition, development, and recapitulation of sonata form with the ritornello form used for the first movements of Baroque concertos also called first-movement concerto formĮxposition – first section of a sonata form movement, in which the themes and key areas of the movement are introduced the section normally modulates from the home key to a different key ![]()
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